Musician Magazine, October 1992
Issue No. 168
Cover: Elvis Presley photographed at RCA recording studios, New York City, 1956, © Alfred Wertheimer
07 Front Man
Branford Marsalis
Doing the "Tonight Show," Branford discovers the joys of a steady day job.
By Tom Moon
Departments
06 MASTHEAD
10 LETTERS
15 FACES: Juliana Hatfield leaves the Blake Babies. Also: Too Short, Toad the Wet Sprocket, John Martyn and Rory Block.
22 ON STAGE: PJ Harvey and Sophie B. Hawkins-the valedictorians of the class of '92-show New York what the buzz is about.
29 Jeff Porcaro R.I.P.
Eulogies for a great drummer, a great father, a great friend.
By Matt Resnicoff
30 Michael Penn
In the studio recording his second album, the young hotshot muses on the borders of pop.
By Paul Zollo
34 Horace Silver
Keeping a low profile, the jazz master has more ideas piled up than any musician could use in a lifetime.
By Joe Goldberg
40 Shawn Lane: Chops To Spare
Swinging down from the roofs of Memphis comes a guitar wizard/piano hero with vision so powerful he can see into music'sfuture.
By Matt Resnicoff
50 Elvis Presley, Musician
There was a time when Elvis was not an icon, a cliché, a joke or an American legend. There was a time when Elvis was a human being who sang, played piano and guitar, and worked very hard on records that changed our culture. The musicians, producers and songwriters who collaborated with Elvis get the chance to talk in depth about the musician they knew and the music he made.
By Peter Cronin, Scott Isler & Mark Rowland
68 Hole & L7: The Next Logical Step
Two rising L.A. grunge bands spin out of Nirvana's orbit and try to avoid colliding on their way to heaven. Donita Sparks gets really mad; Courtney Love gets really pregnant.
By Craig Rosen
Producers '92: The New World Order
75 Paul Fox
Notice how those new albums by XTC, Robyn Hitehcock,10,000 Maniacs and the Sugarcubes got right to the point without losing the magic? Here's the guy to thank.
By Ted Drozdowski
78 Tim Palmer
Creating the right studio environment with the man who steered Pearl Jam, Tin Machine and Tears for Fears-and produced Robert Plant without knowing Led Zeppelin.
By Richard Buskin
82 Scoring Singles
The writer/director of a new film about the Seattle scene writes about the joys and horrors of building a movie soundtrack.
By Cameron Crowe
86 Hal Willner
Taking on the mighty legacy of Charles Mingus with the producer who found the common ground between Disney, Kurt Weill and NRBQ.
By Gene Santoro
90 Hiring A Producer
Okay, so you can't afford Fox, Palmer or Willner-how does a young band go about finding a producer and/or engineer?
By Bill Stephen
94 Developments
Finding your way through the hard disk maze. Plus, AES comes to San Francisco and MESA/Boogie's Triaxis Preamp.
By The Musician Tea Boys
Departments (continued)
99 Recordings:
Tom Waits makes a raw-boned masterpiece. Also: Sinead O'Connor, R.E.M., Peter Gabriel and Bob Mould's new band.
104 Finally-the Best Unsigned Band contest winners
106 New Releases
111 Charts
113 Reader Service
114 Backside:
40 Years Of Marky Mark
Before you curse MTV and whine about how low pop has sunk, consider that there have always been guys like this.